Luzzasco Luzzaschi: Madrigali per cantare et sonare (1601)

MAIN SOURCE:

Luzzasco Luzzaschi, Madrigali per cantare et sonare (Rome, 1601) [imslp]

FOOTNOTES

1 [01:06] MADRIGALI Di Luzzasco Luzzaschi per cantare et sonare a uno, e doi, e tre Soprani, fatti per la Musica del già Ser[enissimo] Duca Alfonso d'Este. In Roma apresso Simone Verovio, 1601 [imslp].

2 [01:43] Anthony Newcomb, The Madrigal at Ferrara 1579-1597 (Princeton University Press, 1980). See Chapter IV. Specifically concerning the instruments see p. 66.

3 [02:15] For example, see our episode about Maffei (the example in the video is taken from Maffei's treatise).

4 [03:16] See our episode about Intabulations. The example shown in the video is taken from Salomone Rossi’s first book of Madrigals (1600) [imslp], where in addition to the standard partbooks, a chitarrone intabulations to some of the pieces is included.

5 [04:02] Read more about that in Augusta Campagne, Simone Verovio: Music printing, intabulations and basso continuo in Rome around 1600, (böhlau, 2018), pp. 134-135 [link to download!].

6 [04:29] See Appendix below. Read more about Simone Verovio in Augusta Campagne’s book, see footnote 5 above.

7 [06:20] The quote is a paraphrase of what Frescobaldi writes in the prefaces for his book of Capricci (1624) and Fiori Musicali (1635). Italian transcription and English translation of Frescobaldi’s letters and prefaces(!) is available here.

8 [08:08] See our episode about High-clefs.

9 [09:50] Carlo G. manuscript, "Sic parasti cor meum", pp. 53v-55r [imslp]

10 [10:07] Luca Marenzio, Il quarto libro de madrigali a sei voci (Venice, 1587) [gaspari]

11 [11:34] Anthony Newcomb, The Madrigal at Ferrara 1579-1597 (Princeton University Press, 1980), p. 59.

12 [12:20] See Maffei’s first rule for diminutions (link to the specific moment in the episode).

13 [14:03] See Maffei’s second rule for diminutions (link to the specific moment in the episode).

14 [15:11] Diego Ortiz, Trattado de Glosas (Rome, 1553) [imslp], pp. 30-35.

15 [15:53] Anthony Newcomb, The Madrigal at Ferrara 1579-1597 (Princeton University Press, 1980), p. 55.

16 [19:54] See our episode about High-clefs.

APPENDIX: Simone Verovio's publications (many thanks to Augusta Campagne!)

1586, Diletto spirituale [bibliotecamusica.it] [imslp] [royalholloway.ac.uk]

1586, Il primo libro delle melodie spirituali* (Jacobo Peetrino)

1588, Il primo libro del Jubilo di S. Bernardo* (Jacobo Peetrino) [bibliotecamusica.it]

1589, Ghirlanda di Fioretti Musicali [bibliotecamusica.it] [imslp]

1591, Conzonette a quattro voci [bibliotecamusica.it] [royalholloway.ac.uk]

1591, Canzonette spirituali* [bibliotecamusica.it]

1592, Il devoto pianto della Gloriosa Vergine, et altre canzonette spirituali à 3 voci* [royalholloway.ac.uk]

1595, Lodi della Musica [royalholloway.ac.uk] [imslp]

1598, Toccata d'Intavolatura I (Claudio Merulo) [imslp]

1600, Dialogo Pastorale

1601, Madrigali per cantare et sonare (Luzzasco Luzzaschi) [imslp]

1604, Toccata d'Intavolatura II (Claudio Merulo) [imslp]

1608, Arie devote (Ottavio Durante) [bibliotecamusica.it]

* Publications with no intabulations

Credits:

Created by Elam Rotem.

Special thanks to Augusta Campagne and Anne Smith.